Fixed: On computers without TV device, pressing "Reset Device" button on TV Options would cause multiple "Audio device not found" messages to be displayed.ģ. Changed: Default compression quality for JRiver Video Codec is changed to 7.Ģ. MIDI improvements include a quicker quantisation workflow, auto-expanding grid/nudge displays, and the ability to open the docked MIDI editor instead of the window editor by double-clicking on a MIDI clip.If you're not sure whether it's a bug, or you need to ask a question, please start a new thread. The timecode can also be included in a bounced QuickTime file, simplifying the process of handing off files for review and communicating about specific parts of the mix. This makes it far easier for the talent or engineer to see the position of the session when working with pictures. Timecode may now be displayed in the video window (Ultimate only) or on a hardware client monitor. Pro Tools is now able to reuse one of the most time-consuming parts of the export process, which is analysing all of the pan automation in the session to convert it into a Dolby Atmos mix. There is minimal impact to export time because both processes happen at once. This is great if you need to send off any temp mixes for review.Īdditionally, while you are bouncing you can simultaneously generate both re-renders and an ADM file. You can now quickly generate channel-based mixes, such as 5.1, LoRo, and even a binaural headphone mix without going through the process of generating an ADM, importing it into the Dolby Atmos renderer, and then doing a separate export of the re-renders from the renderer. Increase to Dolby Atmos workflow speeds includes the ability to offline bounce Dolby Atmos re-renders, dramatically improved ADM bounce times, and the ability to link to WAV ADM BWF files.
Pro Tools 2022.6 is out now and includes enhancements to Dolby Atmos, MIDI, as well as a new timecode video overlay.
Words by Mixdown Staff As well as a new timecode video overlay feature
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